Hörner | Antlfinger.

Ute Hörner *1964 in Karlsruhe D
lebt in Köln, D
Studium der Bildhauerei an der Akademie der bildenden Künste Stuttgart
1998 Festivalleitung der Videonale 8, 1999-2008 Prof. für Medienkunst an der Burg Giebichenstein, Halle

Seit 2009 Professorin für Medienkunst an der Kunsthochschule für Medien Köln

 

Mathias Antlfinger *1960 in Limburg an der Lahn
lebt in Köln, D
Studium der Kunsterziehung an der Akademie der bildenden Künste Stuttgart
1990-95 Studium freie Kunst und Kybernetik an der Kunstakademie Düsseldorf
Seit 2009 Professor für Medienkunst an der Kunsthochschule für Medien Köln


Hörner/ Antlfinger

Ausstellungen [Auswahl:]
2010 Visual Arts Projects Istanbul 2010, European Capital of Culture
2010 Bilder in Bewegung, Künstler & Video_Film, Museum Ludwig, Köln
2010 transmediale 10, FUTURIY NOW! Berlin
2009 Videonale 12, Kunstmuseum Bonn
2009 EMAF, European Media Art Festival, Osnabrück
2008 5. Marler Video-Installations-Preis, Skulpturenmuseum Glaskasten, Marl
2008 Der blinde Fleck, Neue Gesellschaft für bildende Kunst, NGBK Berlin
2007 My Own Private Reality, Edith-Russ Haus für Medienkunst, Oldenburg
2007 Wildes Kapital, Kunsthaus Dresden, Galerie für Gegenwartskunst
2006 Happy Believers, 7. Werkleitz Biennale, Halle 

Dream Water Wonderland

Date: 2010
Length: 03:30 min.
Format: 16:9
Specification: Black and White, Sound

 

The title “Dream Water Wonderland” refers to the nuclear fast-breeder reactor in Kalkar (Germany), which was completed, but never went online. Today, its cooling tower houses a chair-o-plane that forms part of an amusement park. This video sculpture comprises two Plexiglass cabinets, stacked one on top of the other in a steel shelf and a video projection. The upper part houses a record player from the 70s. From its center spindle grow plastic icicles and, extending downwards, rotating like a radar, projects a scale model of the Asse II mine, the mine that was used as the disposal site for radioactive waste. The video that is projected onto the opaque back wall shows a short shot of the cooling tower from the outside, painted with a pictorial representation of a mountain range. In a second shot, the camera flies along with the seats of the chair-o-plane skirting the inside of the concrete wall of the cooling tower, occasionally catching glimpses of the sky. An off-screen voice tells a story about wanting to catch a bird, but, as in a dream, the logic of the story gets lost. Constantly, far in the background, we hear the echoing sound of children’s voices. In spite of their disparate themes, the record player with the outgrowth, the cool look of the black and white video and the surreal background track all melt together into a convincing whole.

GE

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