Reynolds, Reynold.

*1966 in USA,
lives in New York, USA and Berlin D
Studied at School of Visual Arts, New York, USA

 

Exhibition [Selection]:

2011 Solo exhibition „Labor Berlin 4: Reynold Reynolds; Secrets Triology“,

Haus der Kulturen der Welt, Berlin, DE
2011 40th International Film Festival Rotterdam, Rotterdam NL
2010 Solo exhibition „Cuatro Instalaciones de Cine“,

Centro de Cultura Antiguo Instituto, Gijon, ES
2010 12th BAFICI Buenos Aires Film Festival, Buenos Aires, ARG
2009 Videonale 12, Kunstmuseum Bonn D

Six easy pieces

Date: 2010
Length: 10:00 min.
Format:  16:9
Specification: Colour, Sound

 


Time is the elusive entity that quietly percolates through our fingers. We have to impose a rhythmic order upon our existence – the sound of a clock, music with its beats and pauses, the ticking of machinery – since only this order allows us to sense the pulse of time as it flows. Reynold Reynolds uses “Six Easy Pieces: Essentials of Physics Explained by Its Most Brilliant Teacher”, a book by renowned physicist Richard P. Feynman as the scientific foundation for his artistic exploration of the issue of time. The artist juxtaposes imagery of scientific inquiry various measuring instruments and chemical equipment with organic matter, fish, flowers or with a human body, whose life span will inevitably come to an end, despite all of humankind’s scientific achievements. The video is inundated with traditional symbols of memento mori: mirrors that hint at the transitory nature of beauty; books that stand for the vanity of knowledge or a roulette wheel that reminds us of  the unpredictable nature of life and death.
Reynolds, a former physicist himself, mixes together imagery of transformation and decay to stimulate the viewer's contemplation of the issue of time and to show that artists and scientists often prove to be accomplices in the process of making sense of the world.

OC

 

Interview:

► 1. Your video has been chosen among over 1700 festival entries to participate in Videonale 13. How central the video medium to your overall artistic production? Is it complimentary to other media you use or do you work exclusively with video?

 

I work with 16mm film and transfer it into digital stills that exist in the computer and shoot digital stills with a stop motion technique.

 

► 2. Is there a particular theme, concept or problem your art addresses the most?

 

Time and Space and the depiction of Time and Space.

 

► 3. What artists do you relate to or find significant for your own art-making?


Eadweard Muybridge, Marcel Duchamp, André Breton, and Stanley Kubrick for the dead artists.
The living ones: Robert Frank, Pierre Huyghe, David Lynch, and Miloš Forman.

 

► 4. Do you think the video medium can address social or political issues better than other art media?


It is the best medium for propaganda.

 

► 5. Art can be seen as a mirror that registers and reflects life or as a tool that transforms it. Which of the two positions is close to your own art-making philosophy?


As a mirror of the maker and viewer. Art can also register dead things; machines, corpses, not just life.

 

► 6. How do you understand success in an art-making career?


Making work that ages well.

 

► 7.What is the most difficult and the most rewarding thing about making art / being an artist?


The way people look at you when you say you're an Artist.

 

► 8.What are your upcoming projects?


A 1930's Berlin Film.

 

► 9. What do you do when you don't make art?


See art shows, watch movies, fill out forms.

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